The keyboard is not yet a perfect fit, and the port mounting feels inelegant. ↩
- Shizuoka Press and Broadcasting Center by Kenzo Tange, 1957
- Sky House by Kiyonori Kikutake, 1958
- Yamanashi Press and Broadcaster Center by Kenzo Tange, 1961
- Nakagin Capsule Tower by Kisho Kurogawa, 1972
- Hotel Sofitel Tokyo by Kiyonori Kikutake, 1994
I’d also love to hear about the buildings and details I’ve inevitably missed. ↩
Back in 2018, I set about turning a Psion Series 5 keyboard into a practical, day-to-day, Bluetooth keyboard. In my previous two posts on this topic, I described making the Psion Series 5 keyboard function as a Bluetooth keyboard, and producing a custom printed circuit board to reduce the size. The next step is to create a minimal case to hold everything together.
The Psion Series 5 keyboard itself comes as a complete component and, if possible, I’d like to reuse as much as I can, fabricating a case that holds this part, along with the battery and electronics. As a reminder, the completed keyboard electronics—including the keyboard component itself—look like this:
I’ve been using Autodesk Fusion 360 to model the case, and ultimately plan to use Shapeways for the 3D printing as I was impressed with the finish of the Nintendo 3DS Cartridge I had printed in ‘Strong & Flexible Plastic’.
I had originally hoped that the Psion keyboard would contain individual component parts I could reuse, allowing me to design a completely custom case: an angular, and modern departure from the 90s curves of the Series 5. Upon disassembling the keyboard however, I discovered the outer case forms a key part of the keyboard itself, making this very difficult.
As you can see from the photos of the four layers, the keys mount directly onto the case itself, saving on parts and space. Great for Psion; not so much for me.
I tried designing my own key mounting to replace the case, but the dimensions and tolerances are so tight that I’ve little confidence I’d be able to produce a reliable part. Ultimately, Shapeways rejected it as ‘unprintable’ due to thin walls and overhangs.
I soon realised that attempting to design the whole keyboard mounting myself was too much, especially given my limited Fusion 360 experience. Instead, I decided to explore ways to design a case which integrated the whole keyboard component from the Psion:
If you can make any sense out of my sketch, you’ll see that the goal is to 3D print the vertical walls of the case, and have the existing keyboard component sit on these. The hinges–originally intended to join the keyboard and screen–can be reused to anchor the keyboard to the new case:
Modelling something like this is at the very limits of my Fusion 360 abilities, and it took a long time to turn these sketches into something I can print.
After many iterations, I managed to produce a fairly intricate case:
To save me from spending lots of money on 3D printing (a print of this size costs $60 a time from Shapeways), my colleague Jeff very kindly offered to print some of the early prototypes on his Ultimaker 3:
We had a number of failed prints–as you can see from the photo, the keyboard is pulling away from the glass plate very slightly–but ultimately we were successful, and, after a few design tweaks, we produced something we were pretty pleased with.
I’m extremely grateful to Jeff for his patience in this process; both with the printing itself, and my perfectionism.
I’m incredibly happy with the outcome: I have a fully-functioning Psion bluetooth keyboard. There are a number of small design tweaks1 I’d like to make before finally ordering the case from Shapeways and, after that, I intend to publish everything needed for others to build their own.
Last October, I moved to San Francisco, leaving behind the apartment I’ve had in Santa Clara ever since moving to California over 3 years ago. With a view to capturing a memory of the place, I finally picked up a 360˚ camera–a Ricoh Theta1–and snapped a few photos; the perfect excuse to play around with a new piece of technology.
Since I don’t want to be locked into proprietary technologies and plugins, I’ve put together an extension to my site builder that uses three.js, and is heavily based on the equirectangular panorama example.
Since leaving Japan, I have become aware of, and incredibly fond of, Metabolism, a Japanese architectural style born out of Modernism which–to me at least–has Brutalist overtones. It speaks to me of an unrealised utilitarian future.
It seems few Metabolist buildings were constructed, and even fewer remain standing today–they were often impractical, and did not age well, leading to many being demolished or heavily altered.
A number of the remaining buildings can be found in the Minato-ku district of Tokyo and, in spite of spending two years working there, I never took the opportunity to really pay these buildings the respect they deserve. A little over a year ago, I decided to right that wrong, visiting both the Nakagin Capsule Tower, and the Yamanashi Press and Broadcast Center.
If you’re interested in reading further, here are a few of the highlights I discovered1: